盘敞口，弧腹，圈足。盘心绘戏珠龙纹和火焰纹。内壁绘赶珠双龙纹，间杂火焰纹和如意云纹。外壁暗刻类似纹饰，胫部绘一周莲瓣纹。纹饰皆以绿釉为地，以紫彩烘托。底书《大清康熙年制》六字青花双圈楷书款。
直径：24.8厘米
来源：
R. F. A. Riesco, Croydon。
R. Radin，伦敦。
石门堂收藏
展览：
伦敦，2012年，埃斯卡纳齐。
出版：
Edgar E. Bluett, The Riesco Collection of Old Chinese Pottery and Porcelain, London, 1951, figure 74, top shelf, for almost certainly the same dish.
Sotheby’s, London, Fine Chinese Ceramics, Bronzes and Works of Art, 11 December 1984, number 382.
Eskenazi Limited, London, Qing porcelain from a private collection, 1st – 23rd November 2012, number 1.
类似例子：
The Tsui Museum of Art, Chinese Ceramics IV, Qing Dynasty, Hong Kong, 1995, number 115.
Louise Cort and Jan Stuart, Joined Colors, Decoration and Meaning in Chinese Porcelain; Ceramics from Collectors in the Min Chiu Society, Hong Kong, Washington D.C., 1993, page 89, number 18, for a larger dish.
Xu Huping, The Official Kiln Porcelain of the Chinese Qing Dynasty, Shanghai, 2003, page 74 for a larger dish in the Nanjing Museum.
景德镇御窑出产的瓷器大部分为宫廷的日常器皿，而并未为礼制或庆典所用。到了乾隆时期，皇室成员所用瓷器无论在图案还是搭配上都有了明确的规定。譬如绿彩茄皮紫龙纹器皿在乾隆时期被指定为五级妃嫔贵人所用。虽然说这些规定在康熙时期还没有被明文化，但有可能已在实际操作了。
1 Peter Lam ed., Imperial Porcelain of Late Qing from the Kwan Collection, Hong Kong, 1983, pages 26 - 27 for the article by Simon Kwan, quoting from Regulation of the Palace of the Qing Dynasty.